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On the Cover:
Samir Rakhmanov
What is appealing to me in the idea of working using past memories when picking and developing a subject is the fact that they are never completely stable. They shift, they can be inaccurate, and sometimes they become more saturated or more intense than the original experience.
Summer issue
INDUSTRY

Giulia Caliò
Two years ago, I had a sort of epiphany. I decided to stop painting what I thought others expected of me and start painting what I felt. I wanted to give space to my emotions - even the most intimate ones - and find a way to transform them into images.
Summer issue
TRENDING NEWS

Artist to Watch:
Marc Dailly

Artist Feature:
Jakob Söhngen

Artist Feature:
Anna Kereszty
Dailly continues this practice through a dialogue with 19th-century artists of the Nabis movement - to name a few: Édouard Vuillard, Walter Sickert, Pierre Bonnard, and Paul Sérusier. Their practice continues to grow in relevance to contemporary reflections on living in the moment, rethinking memories, and contemplating the mystery of a single moment and its transient essence.
A lot of my work has been done from imagination, I think this practice allows me to dive into expression and feeling more immediately, and then when I‘m working from life with a model I try to balance likeness and giving it my own imaginative touch.
Her work weaves past and present into intimate visual essays that explore memory and time. Born in Budapest but having lived abroad for many years, she has the impression of moving between two parallel realities - one grounded in the present, and the other shaped by nostalgia, memory, and echoes of a past. This duality informs her research driven practice, which examines how personal and historical narratives overlap, blur, and transform one another.
Paris
Berlin
Budapest
ARTISTS TO WATCH

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Summer 2026 Issue
Modern Renaissance Magazine
A premiere international arts magazine
Issue length: 124 pages in heavyweight glossy stock
As a 501(c)(3) nonprofit, your purchase of this issue benefits our upcoming exhibition featuring college artists, giving them free submissions, a sales platform, and the credit they need to launch their work. Thank you for supporting our work in arts advocacy.
Jakob Söhngen reflects on the delicate relationship between the imaged and the seen. By mixing the perceived life model with imagination, he strikes a striking balance. Seen from afar, light and dark define the structure of his work; up close, light shapes the process itself. The final outlook reflects an intuitive method of modeling and accentuating the sitter.
Two artists, Ilya Volykhine and Anna Kereszty, work with their perception of past experiences through the lenses and shapes of real life. Frequently incorporating elements from their respective cultures and backgrounds, their art becomes a powerful force of reflection, identity, and lived experience.
Finally, Wallace Woo, with whom we continue a conversation from our previous issues, has created a space reflecting on how diverse cultures contribute to his personal artistic experience. By challenging the traditional notions of Western perspective, Wallace creates a new narrative enigmatic to his identity, yet his works find a universal resonance in each viewer.
This issue does not possess a narrow context or a shrinking narrative. Instead, it represents a diverse group of artists united by a devotion to being honest, personal, and constantly in search of new means of expression. We cannot answer whether there is a single, unique process that makes their art so captivating. However, we are continuously moved by learning the individual paths that lead to such profound creative expression.
See hundreds of art pieces from 25+ artists across nine countries and learn about the latest art trends, styles, and genres in contemporary art you'll need to know to advance your career!


















